Source : DVD9 Thanks
Format : Matroska (.Mkv)
Format Version : Version 4 / Version 2
File size : 3.00 GiB
Duration : 3h 6mn
Video
ID : 1
Format : AVC
Format/Info : Advanced Video Codec
Format profile : High@L4.1
Format settings, CABAC : Yes
Format settings, ReFrames : 12 frames
Codec ID : V_MPEG4/ISO/AVC
Duration : 3h 6mn
Bit rate : 1 532 Kbps
Width : 1 280 pixels
Height : 544 pixels
Display aspect ratio : 2.35:1
Frame rate mode : Constant
Frame rate : 23.976 fps
Format : Matroska (.Mkv)
Format Version : Version 4 / Version 2
File size : 3.00 GiB
Duration : 3h 6mn
Video
ID : 1
Format : AVC
Format/Info : Advanced Video Codec
Format profile : High@L4.1
Format settings, CABAC : Yes
Format settings, ReFrames : 12 frames
Codec ID : V_MPEG4/ISO/AVC
Duration : 3h 6mn
Bit rate : 1 532 Kbps
Width : 1 280 pixels
Height : 544 pixels
Display aspect ratio : 2.35:1
Frame rate mode : Constant
Frame rate : 23.976 fps
Audio
ID : 2
Format : DTS
Format/Info : Digital Theater Systems
Mode : 16
Format settings, Endianness : Big
Codec ID : A_DTS
Duration : 3h 6mn
Bit rate mode : Constant
Bit rate : 768 Kbps
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 KHz
Bit depth : 24 bits
Screenshots:-
Trailer:-
About:-
Bhaag Milkha Bhaag has opened wide for an Indian release in the U.S., in 140 theaters. Its length — bloated by several overlong segments and superfluous songs — and the complexity of the India-Pakistan rivalry at the core of the story may prove offputting for non-Indian audiences, but the film is likely to attract healthy returns at the box office within India.
Farhan Akhtar’s intelligent performance is a highlight of the film. He is known as a writer and director, with his 2001 release, Dil Chahta Hai, redefining the youth genre, and Don and Don 2 cementing Shah Rukh Khan’s reputation as an action star. He made the shift to acting under the radar, in the little-seen 2005 festival film The Fakir of Venice. Since then, he has earned accolades for roles in films such as Rock On!! and 2011’s delightful bromance Zindagi Na Milegi Dobara.
The smart, sinewy Akhtar does not look like the typical Bollywood hero, which is one of the factors that Mehra says led him to choose him for the role after a casting search that took him as far as Canada, the UK and the U.S. He trained hard for a year and a half before the start of shooting, including a regimen in mountainous Ladakh at 14,000 feet. But beyond the impressive physique he has cultivated for the role, Akhtar has captured a sense of focus and piety that led Singh to rise from his humble beginnings as a post-Partition refugee and small-time crook to national champion.
Prasoon Joshi’s screenplay does not tell Milkha’s story chronologically, instead relying on a series of flashbacks that can seem unclear until the end of the film, when Milkha travels back to his home town to experience a moving catharsis. In one memorable scene, the adult Milkha has a vision of his 12-year-old self, and for once in his life, comes to love and accept the boy within unconditionally.
Farhan Akhtar’s intelligent performance is a highlight of the film. He is known as a writer and director, with his 2001 release, Dil Chahta Hai, redefining the youth genre, and Don and Don 2 cementing Shah Rukh Khan’s reputation as an action star. He made the shift to acting under the radar, in the little-seen 2005 festival film The Fakir of Venice. Since then, he has earned accolades for roles in films such as Rock On!! and 2011’s delightful bromance Zindagi Na Milegi Dobara.
The smart, sinewy Akhtar does not look like the typical Bollywood hero, which is one of the factors that Mehra says led him to choose him for the role after a casting search that took him as far as Canada, the UK and the U.S. He trained hard for a year and a half before the start of shooting, including a regimen in mountainous Ladakh at 14,000 feet. But beyond the impressive physique he has cultivated for the role, Akhtar has captured a sense of focus and piety that led Singh to rise from his humble beginnings as a post-Partition refugee and small-time crook to national champion.
Prasoon Joshi’s screenplay does not tell Milkha’s story chronologically, instead relying on a series of flashbacks that can seem unclear until the end of the film, when Milkha travels back to his home town to experience a moving catharsis. In one memorable scene, the adult Milkha has a vision of his 12-year-old self, and for once in his life, comes to love and accept the boy within unconditionally.
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